My split EP2 program

[analogika]

When Clavia released their new Rhodes sample, I thought there was no longer a reason to upload the Rhodes program I've been using for a while. But, although I like that new sample a lot, I've frequently found myself switching back to my "Universal Rhodes" program, mostly because it seems to cut through much better. So here it is, finally (with a lot of new optimizations, actually).

It is a bit difficult to demo because I wouldn't usually play it as a solo instrument. But since a demo is pretty much a requirement, here you go (sorry about the somewhat sloppy playing and low fidelity):

• Universal Rhodes Demo.mp3

So, what did I do?

• The most annoying issue in the Suitcase sample is (IMHO) its weakness in the second octave above middle C. In its original form, I've often had the problem that it would totally disappear during a solo. I fixed this (or at least reduced it somewhat) by creating a split at B5/C5 with two different EQ/Drive settings below and above. After a lot of experimentation, I think I've found some settings that make the split point hardly noticeable (unless I've just gotten used to it).
• There is also another aspect to the different EQ settings: The program contains a rather strong upper-mid boost. By choosing a slightly different center frequency for the boost, the negative effects on the sound can be reduced somewhat.
• Another problem, which can be worked around easily but frequently caught me by surprise, is that the dynamics somewhere around an octave below middle C are really strong. In particular, notes that are played too lightly turn out to be barely audible. The synth section of slot A is used to make the fundamental of these notes a little stronger. The filter is intended to restrict this effect to the notes that need it.
• The synth section of slot B is used to add more overtones to the notes below F2, which otherwise tend to get lost in a mix. This is very optional, of course, so if you need on synth section for another purpose, use the one in slot B. This also removes the need for the E2/F2 split point.

Hope this is useful to someone. Happy tweaking.

[Mr_-G-]

Thanks! Very interesting the boosting with the synth. For some reason the Rhodes has been a difficult instrument to please everybody.
As you say, most Rhodes samples in the Nord feel somewhat thin in the upper octaves. Maybe they have less layers in that section? I wonder if that could be fixed by adjusting the dynamics of the layers.
Whichever is the case, Clavia has listened to comments, so let's hope that newer samples will be offered.

[Berretje]

Lovely sound! You did a great job!