Anyone created anything or could point me in the right direction? Something like this would be great to start with
Cheers

Under https://nordusersounds.com/sounds there are different Moog-Sounds. Eg. https://nordusersounds.com/sound/50264 and https://nordusersounds.com/sound/50263 are good nsmp3-files which you can directly use.maxpiano wrote:It sounds strange there are not Programs or Synth Presets in NS4 of that category to start from and modify to taste
Anyway I suggest also to look at the Nord Sample Library to get waveforms that can be used as the starting point and probably with those just 1 Synth layer will be enough in many cases, for example look at https://www.nordkeyboards.com/sound-lib ... synth-lead (not sure how many are preloaded in NS4)
The NS4 has a Multi option that can be tried as well that includes two saw waves an octave apart with detune so only one synth layer is needed.Tasten-Bert wrote:Isn‘t the strength of an NS3 or 4 synth its capability of setting up „real“ synth sounds on the base of waveforms, ADSR curves and all the other nice things a moog or Prophet or Oberheim had? So I would start with sawtooth waves on two oscillators, one set to an octave different from the other, detune them a bit, give them a short attack time, adjust preferably the higher one‘s filter cutoff decay short, add some nice chorus or soft flanger effect and see how I could get further.
Samples in my opinion are too static to sound good, at least on nords.
Cheers from Germany
I uploaded an example https://nordusersounds.com/sound/50368 .WannitBBBad wrote:The NS4 has a Multi option that can be tried as well that includes two saw waves an octave apart with detune so only one synth layer is needed.Tasten-Bert wrote:Isn‘t the strength of an NS3 or 4 synth its capability of setting up „real“ synth sounds on the base of waveforms, ADSR curves and all the other nice things a moog or Prophet or Oberheim had? So I would start with sawtooth waves on two oscillators, one set to an octave different from the other, detune them a bit, give them a short attack time, adjust preferably the higher one‘s filter cutoff decay short, add some nice chorus or soft flanger effect and see how I could get further.
Samples in my opinion are too static to sound good, at least on nords.
Cheers from Germany
Well, just for speculation: what would be the difference if you sample a waveform of a detuned-1 octave apart sawtooth from a real Moog/Prophet/Oberheim (or form the Nord itself)?Tasten-Bert wrote:Isn‘t the strength of an NS3 or 4 synth its capability of setting up „real“ synth sounds on the base of waveforms, ADSR curves and all the other nice things a moog or Prophet or Oberheim had? So I would start with sawtooth waves on two oscillators, one set to an octave different from the other, detune them a bit, give them a short attack time, adjust preferably the higher one‘s filter cutoff decay short, add some nice chorus or soft flanger effect and see how I could get further.
Samples in my opinion are too static to sound good, at least on nords.
Cheers from Germany
The multi option of dual saw is usefull, but I like more the NS3 approach by now.WannitBBBad wrote:The NS4 has a Multi option that can be tried as well that includes two saw waves an octave apart with detune so only one synth layer is needed.Tasten-Bert wrote:Isn‘t the strength of an NS3 or 4 synth its capability of setting up „real“ synth sounds on the base of waveforms, ADSR curves and all the other nice things a moog or Prophet or Oberheim had? So I would start with sawtooth waves on two oscillators, one set to an octave different from the other, detune them a bit, give them a short attack time, adjust preferably the higher one‘s filter cutoff decay short, add some nice chorus or soft flanger effect and see how I could get further.
Samples in my opinion are too static to sound good, at least on nords.
Cheers from Germany