Well you have your views and I have mine. For me all the pianos are sub par. OK for a loud rock gig, I suppose. Don’t get me wrong there is a lot to like about the board, but there is no goto piano for me. The Stockholm is very good. The Hammond too.cgrafx wrote: ↑28 Jul 2025, 02:11It was a design decision for how the Nord works. It's not ridiculous, it's one of the things that allows your Nord keyboard to turn on in a matter of seconds rather than minutes.
It's a live stage instrument, not a workstation.
You don't need 15 different acoustic pianos on stage. You don't need 15 different Rhodes samples, or most of the other 1000s of individual sounds that people seem to be stuck focusing on. If you can't perform with the list below, then I'd suggest you spend more time focusing on your actual musical skill rather than the mental masterbation of worrying about having every variation of every sound loaded on a keyboard at one time.
Here are the basics
- 1 or 2 acoustic pianos
- 1 or 2 rhodes emultations
- 1 Wurlitzer
- 1 or 2 clavinet sounds
- 1 harpsichord
- 1 vibraphone
- 1 marimba
The B3 organ engine will produce all of the Hammond sounds you wan't
The synth engine can handle Choirs, String Pads, Flutes, orchestral pads, etc.
The biggest area of weakness is in articulated sounds that require multi-velocity samples (horns, plucked guitars, etc). And even here there are some work arounds that get you pretty far.
I have a lot of curated programs, one wrong refresh in Sounmanager and they get wiped. This is why I thing external to both board and Soundmanager would be wise.