anotherscott wrote:Small vs. Medium vs. Large (pianos) has meant differences in resonance implementation, that's all. It is still unclear what S/M/L mean on a Rhodes or Wurli.
Indeed -- but we have had both Medium, Large and XL versions previously, so probably Nord had some idea with the terminology, which have nothing to do with resonance, since the EP's don't have any.
XL has meant less (or no) stretching. I'm only guessing that applies to the EPs as well.
For acoustic pianos, it means NO stretching according to Nord's information page on sample sizes ("Fully mapped keyboard") for the acoustics, and it's probably a safe bet it means the same for the EPs.
XL EPs are shown as having more velocity layers. L models are also shown as having more velocity layers, but only when no XL version is available. The distinctions are not straight-forward.
Nord specifically says that the XL and L versions have more velocity layers on the announcement, although I think Freddan only mentions the XLs as having more velocity layers in the video. On the EP8 page, it says that the extra velocity layers are only for the XL version.
So from the information we have so far, I would still guess that for EP's the "rules" are a bit soft, and somthing like this:
XL: Individually sampled keys (no key stretching) and extra velocity layers (compared to previous/smaller versions)
Large: Some stretching of keys, but still increased extra velocity layers (unless there is an XL version)
Medium: Still some stretching of keys and "normal" velocity layers
Small: Increased stretching of keys and "normal" velocity layers
But as said, these are only guesses! I could measure it, but it would take ~12 h just to sample the keys (and some hours for the computer to calculate the results) -- for each version set. So it would be at least 48 h of recordings just to sample two versions of two different EP's.
I've just loaded the largest versions available, and they are really nice
