Reevaluating piano samples when your amplification improves
Posted: 08 Jan 2019, 20:58
Yes, I know, just what this forum needs, another thread about "which piano samples do you use?"
I've recently started playing through an improved (especially for Nord's acoustic piano samples) amp setup, a stereo pair of QSC K 8.2s. I realized recently I formed my opinions of the many acoustic piano samples Nord offers on different equipment, so I decided to devote a couple hours to taking some previously discarded samples for a spin.
What I've come to realize is that for me there are four basic categories of acoustic piano I want to have at my fingertips (excluding special effects like tack piano etc.), which I'll shorthand as warm solo, warm ensemble, brighter solo, and bright ensemble. I don't know if anyone else would find this exercise useful, but I thought I'd post my initial results:
Warm solo: in a comeback, the Velvet Grand. I really wan't too fond of this one when it came out, but through better amplification it sounds much better to me. If I keep it I'll delete the Warm Upright, which covers the same ground but now sounds almost like a pad compared to the Velvet through the QSC's. Will likely also keep the Amber Upright for solo stuff as well.
Warm Ensemble: Royal Grand. still warm but with more definition than the Velvet.
Bright ensemble: Silver Grand. My favorite cutter, more naturally piano-like than the Bright Grand to me, despite the sheen.
Bright solo- Italian Grand. Another comeback where it sounds much better to me now through better speakers. Bright but more natural, less overwhelming a sound than the Silver.
Random thoughts on a Tuesday.
I've recently started playing through an improved (especially for Nord's acoustic piano samples) amp setup, a stereo pair of QSC K 8.2s. I realized recently I formed my opinions of the many acoustic piano samples Nord offers on different equipment, so I decided to devote a couple hours to taking some previously discarded samples for a spin.
What I've come to realize is that for me there are four basic categories of acoustic piano I want to have at my fingertips (excluding special effects like tack piano etc.), which I'll shorthand as warm solo, warm ensemble, brighter solo, and bright ensemble. I don't know if anyone else would find this exercise useful, but I thought I'd post my initial results:
Warm solo: in a comeback, the Velvet Grand. I really wan't too fond of this one when it came out, but through better amplification it sounds much better to me. If I keep it I'll delete the Warm Upright, which covers the same ground but now sounds almost like a pad compared to the Velvet through the QSC's. Will likely also keep the Amber Upright for solo stuff as well.
Warm Ensemble: Royal Grand. still warm but with more definition than the Velvet.
Bright ensemble: Silver Grand. My favorite cutter, more naturally piano-like than the Bright Grand to me, despite the sheen.
Bright solo- Italian Grand. Another comeback where it sounds much better to me now through better speakers. Bright but more natural, less overwhelming a sound than the Silver.
Random thoughts on a Tuesday.