Rhodes Sound Different in my Various Stages
Posted: 29 Nov 2018, 21:05
OK. I hesitated bringing this up because there may be a simple answer that eluded me, but, I can't figure this out. So, here goes.
I've been playing my NS3HP76 for months now. I love it for all it does well. I sort of miss the extra octaves, but, I knew that going in and love the schlep factor.
I still have a NS classic 88 and an NS2 compact. Here's the problem. When the Nefertiti Rhodes sample came out, I used it with the classic and to a lesser extent with the NS2. They sounded similar if not identical. But, in the classic it sounded so wonderful and buttery with just the right amount of bark. On the NS2, I didn't have as much control of the sound, but, that's understandable due to the action itself.
Now enters the NS3. The Nefertiti sample played through the NS3 just doesn't have that shine or even the right bark. Nothing I do (velocity curve, amp sim, eq) gives it that natural sound that I found in the classic NS. I know it's not my ears because these boards are sitting next to each other. It cannot be all attributed to the keybed either because no matter what I do with the velocity curves the sound of that sample is simply not the same as in the NS. It is more muffled, boxy, mid rangey and lacks overall character.
I can also say that the other rhodes samples suffer from the same issue but less so than the Nefertiti. When that sample came out, I thought I'd found my go to sample because it was that expressive. But, when the NS3 arrived, I felt I had to go to another sample like the bright rhodes or the MK7 to get some of that expression back.
So, what is going on here? What am I missing?
Thanks in advance for your input and help.
aL
I've been playing my NS3HP76 for months now. I love it for all it does well. I sort of miss the extra octaves, but, I knew that going in and love the schlep factor.
I still have a NS classic 88 and an NS2 compact. Here's the problem. When the Nefertiti Rhodes sample came out, I used it with the classic and to a lesser extent with the NS2. They sounded similar if not identical. But, in the classic it sounded so wonderful and buttery with just the right amount of bark. On the NS2, I didn't have as much control of the sound, but, that's understandable due to the action itself.
Now enters the NS3. The Nefertiti sample played through the NS3 just doesn't have that shine or even the right bark. Nothing I do (velocity curve, amp sim, eq) gives it that natural sound that I found in the classic NS. I know it's not my ears because these boards are sitting next to each other. It cannot be all attributed to the keybed either because no matter what I do with the velocity curves the sound of that sample is simply not the same as in the NS. It is more muffled, boxy, mid rangey and lacks overall character.
I can also say that the other rhodes samples suffer from the same issue but less so than the Nefertiti. When that sample came out, I thought I'd found my go to sample because it was that expressive. But, when the NS3 arrived, I felt I had to go to another sample like the bright rhodes or the MK7 to get some of that expression back.
So, what is going on here? What am I missing?
Thanks in advance for your input and help.
aL