Mixing organ sounds
Posted: 10 Jul 2018, 05:01
Greetings,new here.
Keyboardist for half a century in bands.
If I mix the Hammond sounds on this C2D in with the Farf sounds on this Stage 2EX88 I can sort of approximate the Lowery Festival that Garth Hudson used in The Band.
The reedy organs on this Yamaha TX7 also work fine in the lower registers for some 'bari' stuff Garth used to coax out of that beast!
I've had to mix them midi/line level to a summed mono Leslie preamp for some sounds to get the reeds spinning too,and keep those on an A/B pedal that routes to a guitar amp
for the non 'spinny' reed sounds.I do use the Nord sims too,on 'stop'. If I ever find a clean Leslie 103 bingo! I've got a 145/147 whatever already and the interface to use both!
Chest Fever will take on a nastiness only the real deal can provide! For the time being I'm adding the pre-emphasis echoes with a Boss RE-20 which isn't an Echoplex but will suffice.
I also do this with a Ventilator if the situation calls for this option.I never use the Nord slow or fast.Only stop thanks......and I'm a tonewheel Hammond owner(all of them).......
Overall I am impressed with my Stage 2EX and my C2D.
Previously played a Stage EX88 for seven years.
I'm always one model behind the newest and work still manages to find me.
This little one note mono synth sure gets it done though! Nice little footprint with a very familiar panel......
How would I divide two Yamaha FC7's used for expression controls and use just one pedal? At the moment the pair are latched together underneath AND pegboarded together up top
with velcro.Old school but it works!Too funny man.
cheers
Lefty
Keyboardist for half a century in bands.
If I mix the Hammond sounds on this C2D in with the Farf sounds on this Stage 2EX88 I can sort of approximate the Lowery Festival that Garth Hudson used in The Band.
The reedy organs on this Yamaha TX7 also work fine in the lower registers for some 'bari' stuff Garth used to coax out of that beast!
I've had to mix them midi/line level to a summed mono Leslie preamp for some sounds to get the reeds spinning too,and keep those on an A/B pedal that routes to a guitar amp
for the non 'spinny' reed sounds.I do use the Nord sims too,on 'stop'. If I ever find a clean Leslie 103 bingo! I've got a 145/147 whatever already and the interface to use both!
Chest Fever will take on a nastiness only the real deal can provide! For the time being I'm adding the pre-emphasis echoes with a Boss RE-20 which isn't an Echoplex but will suffice.
I also do this with a Ventilator if the situation calls for this option.I never use the Nord slow or fast.Only stop thanks......and I'm a tonewheel Hammond owner(all of them).......
Overall I am impressed with my Stage 2EX and my C2D.
Previously played a Stage EX88 for seven years.
I'm always one model behind the newest and work still manages to find me.
This little one note mono synth sure gets it done though! Nice little footprint with a very familiar panel......
How would I divide two Yamaha FC7's used for expression controls and use just one pedal? At the moment the pair are latched together underneath AND pegboarded together up top
with velcro.Old school but it works!Too funny man.
cheers
Lefty