Split samples Livin' On A Prayer, Why Can't This Be Love
Posted: 11 May 2016, 19:30
For an upcoming 80's gig I made these multi split samples. And since they were not yet covered in the nsmp section I decided to share them with you.
Livin' On A Prayer:
The talkbox is E1, the intro chord is B1. The intro string bass notes (c, d, e,) are under F1. G1 and A1. This way you can play them all with your left hand and you have your right hand to play the synth brass chords.
That sound is from C2 upwards.
[EDIT] Additional settings:
I made a split at C2 and added compression to the lower part.
For the brass sound (Upper part): release 736, Delay 2 @ 124 bpm (the song is 123 bpm, but the electro delay is in steps of 2 bpm, WHY?), some chorus1.
Stage reverb an equalizing to taste. Why Can't This Be Love
The intro bass notes are under C2, the sequenced bass notes are C3 through C4, and the sync sound is C#4 upwards.
I made a split atF4 to be able to boost the sync sound with a compressor and I added a little bit of phaser.

Livin' On A Prayer:
The talkbox is E1, the intro chord is B1. The intro string bass notes (c, d, e,) are under F1. G1 and A1. This way you can play them all with your left hand and you have your right hand to play the synth brass chords.
That sound is from C2 upwards.
[EDIT] Additional settings:
I made a split at C2 and added compression to the lower part.
For the brass sound (Upper part): release 736, Delay 2 @ 124 bpm (the song is 123 bpm, but the electro delay is in steps of 2 bpm, WHY?), some chorus1.
Stage reverb an equalizing to taste. Why Can't This Be Love
The intro bass notes are under C2, the sequenced bass notes are C3 through C4, and the sync sound is C#4 upwards.
I made a split atF4 to be able to boost the sync sound with a compressor and I added a little bit of phaser.