New EP7 Tines Amped & Electric Grand Amped
- Gustavo
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Re: New EP7 Tines Amped & Electric Grand Amped
Tried them out, looks like my EPs will be EP1, EP7, Wurly 2.
Synths: Nord Stage 2 SW, Nord Lead 4R, Vintage Vibe 64 Active, Dave Smith Instruments Pro 2, Minimoog Voyager, Prophet 6, Korg Volcas
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Stand: K&M Spider Pro and Hercules X Stands
Recording: Zoom UAC-8
Speakers: EV ELXP 112-P, Event Alp 5
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Re: New EP7 Tines Amped & Electric Grand Amped
This one was definitely worth waiting for (EP7, I mean). I'm still trying to figure out how to EQ it to my taste, though. In its raw form, the low-velocity samples of the lower notes (up to somewhere around middle C) have a really soft attack, whereas the high-velocity samples of upper notes (starting about an octave above middle C) sound too thin to me. Right now my preference is to use the Twin amp sim, with a bass boost (because all of the amp sims seem to have a rather strong bass cut built in), and a boost at about 1.5 kHz. Not sure if I will still like it tomorrow, though.
Apart from my personal taste, I do have a small gripe: Ab to C two octaves above middle C sound weak compared to the keys around them (in all velocity layers, apparently). It's not nearly as bad as the Suitcase sample, but it makes me wonder why Clavia/SampleTekk doesn't take care of something that is so easy to detect and fix.
Still, this might finally be a Rhodes sample I really like. (OK, I do like some of the other samples for specific use cases, and for a "generic" Rhodes sound, I've been quite happy with the Suitcase sample once I figured out how to work around its unevenness. But I was really missing a Rhodes I could just "turn on and play".) Thanks, Clavia and SampleTekk!
Apart from my personal taste, I do have a small gripe: Ab to C two octaves above middle C sound weak compared to the keys around them (in all velocity layers, apparently). It's not nearly as bad as the Suitcase sample, but it makes me wonder why Clavia/SampleTekk doesn't take care of something that is so easy to detect and fix.
Still, this might finally be a Rhodes sample I really like. (OK, I do like some of the other samples for specific use cases, and for a "generic" Rhodes sound, I've been quite happy with the Suitcase sample once I figured out how to work around its unevenness. But I was really missing a Rhodes I could just "turn on and play".) Thanks, Clavia and SampleTekk!
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Re: New EP7 Tines Amped & Electric Grand Amped
This is what I have in my NP88 right now:
I think I'm gonna delete the Fazioli and bring back the Studio Grand, too.
As you'd have guessed, I hardly ever use the Wurly and CP80, just have them there in case someone asks. Ditto for the upright.I think I'm gonna delete the Fazioli and bring back the Studio Grand, too.
- chimney chop
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Re: New EP7 Tines Amped & Electric Grand Amped
love the amped Rhodes and Wurli but LOVE the amped CP80
- Darren
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Re: New EP7 Tines Amped & Electric Grand Amped
EP 7 and Whirly 2 loaded ready to try live tonight. First impressions are very positive - found myself vibing the Rhodes for well over an hour. Love the note off - you can really hear the tine getting choked which is all part of the overall feel. Let's see how it cuts through a mix.
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- Mr_-G-
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Re: New EP7 Tines Amped & Electric Grand Amped
I had some time to test the sounds now. Very grateful to Clavia for providing these.
Some comments, in case anybody is interested.
CP70/80 sample: it sounds brighter than the old one, I seem to prefer it, but since I could not load both at the same time to compare, I might be suffering the placebo effect.
Same as in the old CP70/80 sample, the last 2 octaves appear to be tuned about -20/100. I wondered if this is on purpose and I found this: http://www.fenderrhodes.com/rhodes/manual/fig5-4.jpg
The offsets at the extremes are about 20/100 in the right direction, so I assume that this was sampled from a stretched-tuned CP80. Not sure if this is a re-processing of the old sample or a completely new one (not that it matters too much when the result is better).
EPiano 7: I like this new Rhodes, is more responsive to velocity in the mid range, but comparing with the new Amped Wurli, it still seems lacking a bit of responsiveness in the upper two octaves in the NS2-88: not as bright or loud as the rest with increasing velocity. Specially noticeable in MIDI note 91 (highest-but-one G on the 88 note keyboard) it decays very quickly when played hard (it is not a dirty contact, it happens only with this sample and checked with a MIDI monitor). The Equalizer and Drive help a bit with this. Anyway, it is a big improvement over previous Rhodes samples.
Edit: I have just been listening the new Rhodes with headphones, and I now realise what a big improvement it is. The equalizer helps *a lot* in the upper keys. Very pleased with it.
Some comments, in case anybody is interested.
CP70/80 sample: it sounds brighter than the old one, I seem to prefer it, but since I could not load both at the same time to compare, I might be suffering the placebo effect.

Same as in the old CP70/80 sample, the last 2 octaves appear to be tuned about -20/100. I wondered if this is on purpose and I found this: http://www.fenderrhodes.com/rhodes/manual/fig5-4.jpg
The offsets at the extremes are about 20/100 in the right direction, so I assume that this was sampled from a stretched-tuned CP80. Not sure if this is a re-processing of the old sample or a completely new one (not that it matters too much when the result is better).
EPiano 7: I like this new Rhodes, is more responsive to velocity in the mid range, but comparing with the new Amped Wurli, it still seems lacking a bit of responsiveness in the upper two octaves in the NS2-88: not as bright or loud as the rest with increasing velocity. Specially noticeable in MIDI note 91 (highest-but-one G on the 88 note keyboard) it decays very quickly when played hard (it is not a dirty contact, it happens only with this sample and checked with a MIDI monitor). The Equalizer and Drive help a bit with this. Anyway, it is a big improvement over previous Rhodes samples.
Edit: I have just been listening the new Rhodes with headphones, and I now realise what a big improvement it is. The equalizer helps *a lot* in the upper keys. Very pleased with it.
Last edited by Mr_-G- on 08 Feb 2014, 18:54, edited 3 times in total.
- Mr_-G-
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Re: New EP7 Tines Amped & Electric Grand Amped
Wow, I had the "long release" button on. It is more noticeable when "off".Darren wrote: Love the note off - you can really hear the tine getting choked which is all part of the overall feel.

Re: New EP7 Tines Amped & Electric Grand Amped
Credit where it's due. They have done very well to come up with this. I still boost the mid to get it "nice".
Well done Nord! now, off to bed it in.
Well done Nord! now, off to bed it in.
- damasp
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Re: New EP7 Tines Amped & Electric Grand Amped
I've loaded the new EP7 and the newest Amped Wurly. I think they are an improvement. I'm just wondering how much I'm missing out from using them on my Electro 3 SW73, knowing it doesn't have the added capabilities of the E4s or even the 3HP. I've deleted some sounds to make these two new ones fit. I noticed one other E3 SW user that has added them. Anyone else out there able to make a comparison with the two different boards and these two added sounds?
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- Darren
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Re: New EP7 Tines Amped & Electric Grand Amped
Just back from my gig. The new EP's did a sterling job - found myself preferring EP1 for a few things as it's a bit more 'bell' like in the mid range. But the EP7 for down and dirty funk stuff all the way.
Nord Stage 2 HA76, Nord Wave, CME UF60, Studiologic VMK 161 Plus Organ, Roland Juno G, Yamaha P200, Yamaha TG77, Roland U-220, Kawai K3M, Roland Juno 60, Fender Rhodes Stage 73