sepiareverb wrote:I recently upgraded my keyboard from a cheap Yamaha MX61. I was waffling between the Stage 3 and the Roland Fantom 07, ended up with the Fantom. Mistake.
I'm in way over my head with this thing. Not the keys, but the interface on the machine and the computer app that is needed to use the keyboard.
So I am wondering:
• Does the Nord Stage 3 come complete? (ie: Are the sounds already loaded?)
• Can parameters be manipulated on the keyboard via dedicated knobs or sliders?
• Can I happily use the Stage 3 for years without EVER needing to connect it to a computer?
1. Not ALL sounds are loaded, because part of the concept is that you can replace individual pianos or synth samples, or even add your own. For this, you need a Mac or Windows PC (currently; I'm sure we'll see an iPad client at some point).
2. The only things that can be done via PC are creating new samples, adding/deleting/replacing samples and pianos on the Nord, and rearranging your programs into different orders. Everything else — all editing, sound creation, programming, effects — MUST be done on the board itself. There is pretty much a knob or button for every function, with additional functions labelled below (or in little boxes) that you get when you hold the "shift" button.
There are some global parameters like MIDI channels and organ key click "hidden" in system and sound menus — never more than one layer deep —, and some program parameters, like pitch bend range, are found here, also. This means that the initial interface
looks super complex, because there's a ton of knobs for everything, but it also means that once you've grokked that, there is no super-deep plumbing going on. You are literally NEVER more than a single menu layer or a shift-button away from ANYTHING you can do on this board. Even keyboard split mode has its own dedicated button.
I can't speak to the Fantom, but having used a Kronos for a while, it felt like I was constantly diving through layers of menus and varying interfaces on a computer running a bunch of VSTs and a mixer program to do even the simplest things like transposing a layer up an octave (probably because that's literally what the Kronos is).
The Kronos, admittedly, can do SO much more than the Stage 3 — but anything the Stage can do, I can get done within 45 seconds, at a rehearsal. (Well, except loading a sample I didn't have, like, say the Mellotron French Horn I needed for a production that one time.)
Incidentally, transposing a particular engine up or down an octave has dedicated buttons on the Stage. Of course.
3. Provided you're fine with the samples that come pre-loaded, that's a resounding YES.