Probably.LeftyBass68 wrote:Overall the Stage series gets the job done better as an all in one than others in a live situation; is my experience. The organ could have a little deeper menu and selection.
The Stage has the least features of any organ clone in the lineup.The A100 in the Electro2 manual explains in detail the bass boost from the internal AO39 tone cab amp in an A100.
I prefer my signal from the bass boosted 5 pin outlet,allows me more clean gain with perc before breakup set at 6688 etc. instead of a B3 8888! Not everyone has a B3 as a favorite!
I'll take all the dynamic range I can get after turning the air cap in the doghouse up a half turn or so.......thanks.
Oh yeah,the Nord Stage organ....where was I? It will get it done and never provide a satisfactory tactile experience like a C2D or A100 will.
It's still a hell of a player though.
(and yes: service manual adjustment and then a half-turn of the trimpot beyond is where it gets nice and crunchy.
The A100 I had (it was destroyed in a fire) sounded completely different from my '68 B3 — but in the opposite way you describe: she was a screamer. Thinner, less ballsy sound but a piercing rock screech if you wanted it. Went perfectly with the 145 I had for her (same fire, sadly).
The B3 is a lady — big, ballsy, very funky, with a good crunch of eggshell. For some reason, she matches best with a 760 with the gain turned up slightly beyond healthy. She's okay with a 122 or a 147, but the 760…mmm.
Every one of these machines is a personality.



