Hlaalu wrote:I find the White too (and here being non native in English does unfortunately matter...) soft-and-felty-and-woody in its attack (the "thuck/pop" that greatbarrier86 mentioned?) but then too "metallic" in its harmonics, if this makes sense. Also the sound of the dampers moving is too loud, even for me who I like to hear all the quirks of imperfection.
I think soft-and-felty-and-woody is
EXACTLY what I was trying to say, come to think of it. But as far as I've heard, that's standard for a Steinways. The "White Grand" is a Steinway B, correct?
Also, can't you turn of the damper noise? I can on the Grand but it's my first Nord so i have no clue what the others can do. Or are you saying you want a LITTLE damper noise but that's just too much?
Hlaalu wrote:Hoping not to turn this thread in yet another "which is the best piano"
, I think I'd put the Imperial Grand as my personal favourite, even with a tiny bit of EQing removed in the mid to high-hish range to "mud" it up a bit. And yes also the Royal Grand 3D I like a lot, as it is untouched. I know it's been dividing tastes but I think Nord really did an excellent job with this one. Others that I like, albeit in a different category for me, are the Silver and the Bright.
Personally I like those threads. Your favorite may not be mine, but learning WHY it's your favorite definitely helps me determine whether those factors are relevant to me, and if so, how much so.
kirsty wrote:Goodness aren't we all picky!!! LOL. And to think there are people to whom all pianos and keyboards sound the same and they cannot tell one sample apart from another
Nah. No way. These things cost the same as a (very) used car. The Stage 3 in the US is $4,699. The Kurzweil Forte is $4,999 (another reason I was irritated with the Steinway/Yamaha sounds on it). You get to be picky when you're spending that much money. That's part of the deal, IMO.
Rusty Mike wrote:I play 99% traditional jazz and big band, and the Fazioli sound just doesn’t seem to fit that style.
I'm a rock pianist myself, so that puts Billy Joel, Elton John, and The Beatles as my favorites. The Fazioli works on some of their slower stuff, but i agree. It's a very niche sound. I think it sounds great for things like Con te partirò