Hi, the trick with the deep G of the original Fender Rhodes bass sample is easy - I re-sampled every semi note into individual wave files but took every second note only for the new sample ( A#, C, D, E, F#, G# ) and then stretched each of them over the next semi, so the G was in fact re-build from the F# or G# instead of using the original G..... I can get you a re-build sparkle sample with this method, no problem.
Will also try to create the F3 split sample with the organ sounding one octave deeper, means you will hear for example C3 if you press he C4 key - that’s what you are looking for, right?
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