DrNeurus wrote:
Hi Hanon,
I think you are reading them upside down
2001 vs 1002
1022 vs 2201
I guess that's what happens when you get old
What happened to the good old days when everything ran off of steam?
Stupid electricity!
DrNeurus wrote:
Hi Hanon,
I think you are reading them upside down
2001 vs 1002
1022 vs 2201
pablomastodon wrote:The dual nature of the switch is created to provide velocity data to the keyboard's brains.
Stomp on the sustain pedal really really hard (when connected to NP88 or NS2 with grand piano selected) and one will hear the dampers lifting from the harp and resulting resonance of the entire harp. Step gently on it and one doesn't hear that. The resistances have not changed, but the sound has. Hmmm...?
Bless,
Pablo
Hanon_CTS wrote:To all,
I've been watching this thread with great interest, thanks for breaking down the mystery of the NTP for us.
The Sustain pedal appears to be velocity sensitive as well, with early, and late making contacts (probably for the stomp feature).
Merry Christmas, Hanon
Mr_-G- wrote:Thanks maxpiano. I suppose that the one you modified is the fatar FVP-3/10 (normally open)? There is also a 3/15 which is "normally closed".
And there is one Fatar triple pedal that also has a pot in the sustain, but not sure it is one of these. Does your have it as well as on double bubble?
And what is your conclusion about the function of SW1 in the damper. Only pedal noise?
Mr_-G- wrote: Correct, it is the VFP3/10 (normally open)
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