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Triptych of The De Stijl - Dutch art movement

Postby Roland Kuit » 14 Feb 2017, 20:56

Concertzender Electronic Frequencies

"Art has to be forgotten. Beauty must be realized "--Piet Mondrian
The art movement The Style exists this year a century. 100 years ago the artist Theo van Doesburg founded The Style and their magazine around a group of artists, consisting of, among others, Piet Mondrian, Bart van der Leck, Vilmos Huszár and Gerrit Rietveld. This group of painters, architects and designers strives for an autonomous, universal art, intended for the new man in a new society. Mondrian argues for a kind of music deprived of any kind of personal feelings, depth, warmth and empathy and the sound of which is no longer the ' roundness ', 'fade in ', ' reverberation ', or other typical instrumental characteristics of a romantic idiom.

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Video still by Karin Schomaker

Roland Kuit researched in this context the relationship between sound and space. The artist Karin Schomaker researched Mondrian and movement. This area of tension between sounds and images got its world premiere as "Monads and Beyond" at the Mondriaanhuis in Amersfoort. (House of birth of Piet Mondrian). November 1, 2013.
Roland Kuit is a creative expert in The Style and music. On 3 March, the film "Rietveld ruimtekunstenaar" by Bertus Mulder. A film about the Rietveld-Schöderhuis in Utrecht, for which the music is composed by Roland Emile Kuit. His installation "On the edge of Colour and Tone" will go to Berlin, London, Paris, Sydney, Melbourne, Buenos Aires and finally Kansas City. A sound art installation based on The Style guide lines.

This group of painters, architects and designers seeking an autonomous, universal art, intended for a new man in a new society. Not the individual, but the big picture of society should be the norm. A completely new visual language should be able to appeal to all people equally. Their ideas about them published in the journal.

http://www.concertzender.nl/triptiek-van-de-stijl/
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Triptych of The De Stijl - Dutch art movement


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Re: Triptych of The Style

Postby Roland Kuit » 16 Feb 2017, 09:38

The Dutch Style connection: Dick Raaijmakers - Piet Mondrian - Roland Kuit

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Concertzender Electronic Frequencies:

Three broadcasts in which abstraction, DADA and sound art will transform the speaker boxes at home to autonomous sound sculptures.
The Dutch composer Jacob van Domselaer (1890-1963) together, with Piet Mondrian, did researched creating a new form of music. Verticality, standing sound structures in which melody free and quiet. This research culminated as “Proeven van Stijlkunst” for piano. (1913-1916). The tone was set.
Between 1950 and 1955, the Belgian composer and founder of the musical serialism Karel Goeyvaerts, managed to broaden this principle of the standing sound structures. Goeyvaerts stacked electronic created sinus tones on each other as sound objects.
CAHIER-M published by the Dutch composer Dick Raaijmaker (2000) is about the morphology of electric sound. This inherently single-layered type of sound is discussed in the light of 'neo-plastic' music as suggested by the painter Piet Mondriaan in the 1920's. He advocated a kind of music that consisted of single-layered, 'single-colour' electric sounds.
Between 2010 and 2013 constructed the Dutch composer Roland Emile Kuit virtual electronic systems where spectral chaos was converted to serial sound constellations. Sounds that are captured at the atomic level to their brought back to square trajectories. Hereafter broken down and reduced to the elementary.

First broadcast 22-02-2017

1 - K5. Karel Goeyvaerts, 1953 2:36 *
2 - Five Sculptures. Dick Raaijmakers, 1961 7:46 **
3 - Grey algorithm. Roland Emile Kuit, 2013 1:15 ***
4 - Sketches I. Roland Emile Kuit, 2013 8:18 ****
5 - Plastisism 1. Roland Emile Kuit, 2013 5:27 ****
6 - Plastisism 2. Roland Emile Kuit, 2013 6:39 ****
7 - Blue line. Roland Emile Kuit, 2013 4:37 ****
8 - Crossings for PM. Roland Emile Kuit, 2013 3:46 *****
9 - Music for Mondrian. Roland Emile Kuit, 2013 2:59 *****
10 - Neo-Plastiek 2. Roland Emile Kuit, 2014 7:08 ******
11 - Neo-Plastiek 4. Roland Emile Kuit, 2014 6:11 ******

* Cologne - WDR: Early Electronic Music - Various
BV Haast Records – BVHaast 9106
Acousmatrix – VI
CD, Compilation, Reissue Release date: 2005

** The Complete Tape Music Of Dick Raaijmakers - Dick Raaijmakers
Basta
Cd (album), 3 disks Release date: 2009
EAN 9789081101820

*** Ars Modular Musica I - Roland Emile Kuit
Composers Voice
Cd (album), 1 disk Release date: 2013
EAN 8718274610154

**** Ars Modular Musica II - Roland Emile Kuit
Composers Voice
Cd (album), 1 disk Release date: 2013
EAN 8718274610147

***** Ars Modular Musica III - Roland Emile Kuit
Composers Voice
Cd (album), 1 disk Release date: 2013
EAN 8718274610154

****** Monads and Beyond - Roland Emile Kuit
Composers Voice
Cd (album), 1 disk Release date: 2014
EAN 8718274610185

Produced by Roland Kuit

http://www.concertzender.nl/programma/e ... es_374092/
Last edited by Roland Kuit on 02 Mar 2017, 10:23, edited 4 times in total.
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Re: Triptych of The Style

Postby Roland Kuit » 23 Feb 2017, 15:15

Cahier-M by Dick Raaijmakers, is about the morphology of electric sound. This inherently single-layered type of sound is discussed in the light of 'neo-plastic' music as suggested by the painter Piet Mondriaan in the 1920's. He advocated a kind of music that consisted of single-layered, 'single-colour' electric sounds.
Furthermore, Cahier-M devotes ample attention to the morphological relationship between the typically uniform nature of electric sound and the multi-layered sound structures used by post-WWII serial composers. The discussion of this subject also covers layering (photo) graphic images as practised by the French physiologist E.J. Marey at the end of the 19th century, flipping monadic sound aggregates as practised by Karel Goeyvaerts since 1952, the application of so-called 'horizontal arpeggios' by Pierre Boulez around 1980, and the introduction of 'liquid forms' in contemporary architecture.
These aspects are illustrated based on a still valid morphological analysis of sound conducted by the author between 1963 and 1967.

http://books.google.nl/books/about/Cahi ... edir_esc=y

Roland Kuit - Mondriaanhuis

https://www.artifex.nu/agenda/2198/2964 ... nhuis.html

monads and beyond concert


The painter Piet Mondriaan (1872-1944) who, based from his ideas about so called neo-plasticism, started to build a connection with music on the one hand.
"Et quant au moyen de production du son, il sera préférable d'employer l'électricité, le magnétisme, la mécanique, car ils excluent mieux l'immixtion de l'individuel." This is what Piet Mondriaan said in his essay Le Néo-Plasticism (De Nieuwe Beelding) which was published as a brochure in late 1920 by the L'Effort Moderne in Paris. This essay was dedicated to the 'hommes futurs' — future mankind. In this essay, Mondriaan, based on an analogy with a new plastic art (painting), tries to define a new kind of music the sounds of which should ideally be produced by electric, magnetic, and mechanic (i.e. automatic) devices to avoid undesirable alterations based on individual, subjective and interpretational preference.
Mondriaan advocates a kind of music deprived of any kind of personal feelings, depth, warmth, and empathy and whose sound no longer presents the 'roundness', 'swells', 'reverberation', or other typically instrumental characteristics of a romantic idiom. The sounds should rely on a few basic tones and not be structured harmonically but rather as unbreakable units. They should be experienced as coups' — pulses. No melody, but quick sequences of primary- tones and so-called non-tones. Mondriaan imagines tone fields that are enclosed by three tones: a 'red' one, a 'yellow' one, and a 'blue' one. Based on a concept of confrontation, these fields are counterbalanced by non-tonal fields whose corners are based on a-chromatic, atonal, noises, 'black', 'grey', and 'white'. These six tones have an immediate attack and no release. Together, they constitute compositions of contrasting 'coups' (hits) whose rhythm is open and free. Mondrian believes chat these tones or sounds need to be generated by electric devices or newly developed musical instruments; it is of prime importance, however, that they be 'fixed' unequivocally in a yet unknown way. In his text about Neo-Plasticism, he therefore talks about soulless things, such as 'l'électricité and "magnetisme' of which he later(in late 1921) said that they were ideally suited for generating tones whose 'wavelength and oscillation' remain constant for their entire duration. He also demands that those new musical instruments, whether or not they are fitted with 'électricité' and 'magnétisme', be capable of instantly switching off a tone, without 'reverberating noises' or the like. These are precisely the criteria that can be met a lot better by electric sounds than instrumental sounds. Electric tones indeed have no body, they do not linger on, and they go off in the same way as when you switch off a light bulb. They never lire and are by definition tight and stationary.

Roland Kuit: Xite-1/Modular IV/Flexor
Karin Schomaker: Visual art

http://www.facebook.com/Mondriaanhuis/p ... 2350030430


Monads and Beyond by Roland Emile Kuit

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http://itun.es/nl/w7t56
Last edited by Roland Kuit on 03 May 2017, 14:45, edited 1 time in total.
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Re: Triptych of The De Stijl - Dutch art movement

Postby Roland Kuit » 19 Mar 2017, 18:02

Wednesday 22 mrch 2017 23:00 hours C.E.T.: Electronic Frequencies

Triptych of The De Stijl - Dutch art movement. Part 2: The Poetry of Sound.
In times of great changes this work of sound art as a tribute to the experimental poetry.


In 1920, Theo van Doesburg, Piet Mondrian and Antony Kok formulated their ideas in the style in a manifesto about the literature: the naturalistic clichés which provided by the produced dramatic word movies and books, per meter and per pound, contain nothing of the new rules of their lives. Those new rules they would create themselves.

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Kurt Schwitters Ursonate makes a perfect example against war, nationalism, protectionism, racism and establishment. The reason I use his sound poetry is to transform my fears to beauty. My fear is that progress has come to an end. What rest is degradation. So how to create art on ruins of society?
I will create even more disturbing art. By creating a peregrination through the human soul, finding new values in an impellent quadraphonic terrain of vocal spectra.
We can consider the speech of man as a train of monoliths, vertical sounds as spectral accumulations of sine tones. Roland Kuit created spectral tilts by technical means and these data traversing into a three-dimensional fields. As various forms of movement - migration. This can be random, or, take place according to algorithmic structures.
World premiered at Festival Internacional de Música Experimental en Vallecas, Sonikas XIV, Madrid 2016
Roland Kuit: Kyma
Karin Schomaker: Visuals

For the Concertzender Roland made a selection from this 24 parts work. Spectral research moving through landscapes of the human soul as poetry.

Landscapes of a Voice - Roland Emile Kuit, 2016 *

Composers Voice: CV 221
EAN: 8718274610307

Listening link:
http://www.concertzender.nl/programma/e ... es_378142/
Last edited by Roland Kuit on 20 Mar 2017, 17:03, edited 1 time in total.
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Re: Triptych of The De Stijl - Dutch art movement

Postby Roland Kuit » 01 Apr 2017, 12:38

26-04-2017

Triptych of the Style Part III: The architecture of the Neoplastic Sound

Gerrit Rietveld invented space in architecture. In this episode Roland Kuit as sound architect. How to construct sound planes?

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Video still by Karin Schomaker

According to the principles of the Neoplasticism, Roland had to invent sound. Pure tones as stones to build spectral blocks. This means stacking energies to build a harmonic content. The spatial modus is setting this weighed points conscientiously in the exhibition space to divide this spectrum and display it on bare speakers. Disembodied sounds accompanied by video stills from the artist Karin Schomaker. "On the edge of Colour and Tone" will be exhibited in Paris, London, Sydney, Melbourne, Buenos Aires and Kansas City by the Art Research Centre Group 50th Anniversary celebration.

Radio link:
http://www.concertzender.nl/programma/e ... es_384721/
Last edited by Roland Kuit on 01 Apr 2017, 12:41, edited 1 time in total.
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