RichardG wrote:maxpiano wrote:We are not talking about assigning one-note splits here, but about setting the split point of the usual 3 zones (4 on NS3) more freely and not just at C or F... this may actually be useful when playing in some keys, particularly on a
76/73-keys models where the available split key range is less.
I think this is where the splitpoint crossfade comes into play.
No hard splits anymore so it seems to me to be even better than pure splitpoint-freedom...
BUT this is NS3-only and won't be backported I think.
Splitpoint crossfade can help to same extent but it really depends on teh scenario; think of someone who is playing in F# (for example) and wants to hard-split say an organ/bass (left) and a Rhodes (right) at that note or at C#, to play 2 fully separated parts and without any "blend" between them, in that case crossfade doesn't help.
PS: I also use Mainstage and I kind of like its "Floating Split Points" concept, but also that one is sometimes tricky to use and its real effectiveness varies much depending on the scenario.