organuts wrote:Spider wrote:kozmo wrote:Can any of the Nord Leads make those fat moog sounds from the 70's?
Short answer: no.
I would disagree with this judgement.
hey, there was the long answer too!
I will elaborate a bit more: I think you can't really get Moog-like sounds using a single Program or Slot of any Lead. The architecture is just too different. But you can get closer if you use Performances, that allow you to layer several slots.
In detail: (I don't own the Lead A1 so I can't speak for it) with my Lead 2X (and also the 1,2, 3 and 4), each Slot has 2 oscillators, and they're not really independent because you don't have separate level controls. So, I aproximate multiple individual oscillators using Performance Mode.
What I do is:
- enter Performance Mode and activate one to four slots, corresponding to the number of oscillators I want.
- in each slot, I use only Osc 2 by turning the Mix knob fully to the right.
- I choose Osc 2 because it's the most flexible one. Compared to Osc 1 you only lose the sine wave, but get access to the full tuning options (+/- 5 octaves, fine tuning) plus noise and Keyboard tracking.
- I then proceed to program the Performance as a single 2, 3 or 4-oscillator synth.
- Of course the filter and envelope settings will be independent, so you must take care to carefully match them between each slot (using Morph to control all of them simultaneously), to get the feel of a multi-oscillator synth.
- a final trick I use to get a more "analog" feel is to assign LFO1 to the pitch of oscillator 2, using the "Soft Random" wave with a slow rate and a barely audible amount. In this way, you simulate the tiny drifting of analog oscillators (of course, you can't do this if you need the LFO for other matters).
- I keep the filter WAY closed with no key tracking and little or no resonance. I find all the 2X filters very bright and aggressive when you open them by more than 30-40%, so to get a softer sound I prefer to keep it closed below that point and use the Gain or Master volumes to reach the desired output level.
The final result will not be identical to a Moog, but it can get close... and you even get an additional oscillator to use as noise source or to add some harmonic overtones, like a barely-audible fifth.
The big disadvantage of this method is that the oscillators are truly independent and separate, so you cannot cross-modulate them through ring and sync. You lose lots of sonic possibilities, but until now it's the best aproximation I could get of a moogish sound.